The subject of numerous museum shows, Anders Krisár’s work, often focuses on the human body. Krisár’s sculptures often features or makes reference to the human form, exhibiting a preoccupation with formal rigor and abstraction. Using this exacting approach, he employs precision of form to create intensely personal, psychological landscapes. Krisár’s sculptures – immaculately produced, and often bear a deliberate blemish that is itself impeccably rendered – are discomfiting, objects of simultaneous horror and beauty. The Birth of Us (Boy) features a child’s torso, marred by the indentation of two adult hand prints; in M the life size figure of a boy is split in two and then rejoined, so that a single figure becomes two halves, severed twins clasping hands. The violence that underpins both these sculptures is a recurring theme and is rendered with care and deliberation, so that it appears both aesthetic and inevitable. The sculptures are uncanny because of the meticulousness with which they are executed; according to Krisár, “I’m a perfectionist because I have to be, it’s not really a choice. And it’s not a striving for satisfaction, it’s rather to avoid pain.”
Two-Fold, Johyun Gallery Haeundae, Busan, Korea
Two-Fold, Gallery2, Seoul, Korea
Two-Fold, Noblesse Collection, Seoul, Korea
Two-Fold, CFHILL Art Space, Stockholm, Sweden
Camera Obscura, Galleri Örsta, Kumla, Sweden
Camera Obscura, Galleri Thomas Wallner, Simris, Sweden
Camera Obscura, CFHILL Art Space, Stockholm, Sweden
Works in Marble, CFHILL Art Space, Stockholm, Sweden
Mobius Gallery, Bucharest, Romania
Galleri Örsta, Kumla, Sweden
Thomas Wallner Galleri, Simrishamn, Sweden
Faulconer Gallery, Grinnell College of Art, Iowa, US
Aurum, CFHILL Art Space, Stockholm, Sweden
Christian Larsen, Stockholm, Sweden
Thomas Wallner Galleri, Simrishamn, Sweden
Nordin Gallery, Stockholm, Sweden
Abecita Konstmuseum, Borås, Sweden
Galleri Lars Olsen, Copenhagen, Denmark
Ramis Barquet, New York, US
Thomas Wallner Galleri, Simrishamn, Sweden
Fotografiska Galleriet, Stockholm, Sweden
UNION Gallery, London, UK
Galleri Mårtenson & Persson, Påarp, Sweden
Mia Sundberg Galleri, Stockholm, Sweden
UNION Gallery, London, UK
Teatergalleriet, Uppsala, Sweden
Janus, Galerie Lelong, New York,
US Norrbottens Museum, Luleå, Sweden
Mia Sundberg Galleri, Stockholm, Sweden
Galleri Mårtenson & Persson, Påarp, Sweden
Close, please, Mia Sundberg Galleri, Stockholm, Sweden
Art Brussel, with Galerie Lelong, Brussels, Belgium
Close, please, Galerie Lelong, New York, US
Chords No. 1-17, National Maritime Museum, Stockholm, Sweden
Chords No. 1-17, Mia Sundberg Galleri, Stockholm, Sweden
You and I, Dom Museum, Wien, Austria
Crosscurrents, Speed Art Museum, Louisville, Kentucky, US
Who Was Branislav Tesanovic?, Heerz Tooya, Veliko Turnovo, Bulgaria
Polyfoni, Thomas Wallner Galleri, Simrishamn, Sweden
Works from the collection, Ståhl Collection, Norrköping, Sweden
This Mortal Coil, Zuckerman Museum of Art, Atlanta, Georgia, US
Zeig mir deine Wunde, Dom Museum, Wien, Austria
Rodin and the Contemporary Figurative Tradition, Frederik Meijer Gardens & Sculpture Park, Michigan, US
Anguish, ICA at Maine College of Art, Maine, US
Art Festival Watou, Watou, Belgium
SWEDISH ART: NOW! Sven-Harrys Konstmuseum, Stockholm, Sweden
Engendered, Milwaukee Institute of Art and Design, Milwaukee, Wisconsin, US
Leiblichkeit Und Sexualität, Votivkirche, Wien, Austria
Galleri Örsta, Kumla, Sweden
Polyfoni, Thomas Wallner Galleri, Simrishamn, Sweden
Wunderkammer, Autocenter, Berlin, Germany
London Print Studio, London, UK
Thomas Wallner Galleri, Simrishamn, Sweden
I’ll do it tomorrow, Länsmuseet Gävleborg, Gävleborg, Sweden
Spår och tendenser, Uppsala Konstmuseum, Uppsala, Sweden
Misericordia, PRISM, Los Angeles, US
Anguish, Memphis College of Art, Memphis, Tennessee, US
Ystads Konstmuseum, Ystad, Sweden
Svensk Familj, Uppsala Konstmuseum, Uppsala, Sweden
Swedish Family, Moscow Museum of Modern Art, Moscow, Russia
Andra Världar, Haninge Konsthall, Stockholm, Sweden
War Within, Reiner van Ewijk Projects, Amsterdam, Holland
Tangled Up In You, 21C Museum, Louisville, Kentucky, US
Inaugural Exhibition, Mia Sundberg Galleri, Stockholm, Sweden
Speed Art Museum, Louisville, Kentucky, US
Looking Now, 21C Museum, Louisville, Kentucky, US
Points of View: Landscape and Photography, Galerie Lelong, New York, US
Instabilt, Umeå Bildmuseum, Umeå, Sweden
Faulconer Gallery, Grinnell College of Art, Iowa, US
Mia Sundberg Galleri, På Väggen, Stockholm, Sweden
Kabusa konsthall, Köpingebro, Sweden
Instabilt, Kulturhuset, Stockholm, Sweden
Landscape, Rena Bransten Gallery, San Francisco, US
Ny Svensk Fotografi, Hasselblad Center, Göteborg, Sweden
Samtidigt, Västerås Konstmuseum, Västerås, Swede
The National Public Art Council Gallery, Stockholm, Sweden
Glen Horowitz Gallery, New York, US
Open Source, Mia Sundberg Galleri, Stockholm, Sweden
Glen Horowitz Gallery, New York, US
Self and Identity, Harvard Univeristy, Massachusetts, US
2 year working grant from the Swedish Arts Grants Committeé
2 year working grant from the Swedish Arts Grants Committeé
Nominated for Saint-Gaudens Fellowship, New York
Nominated for Best Swedish Photography Publication Award, for the catalogue Family Matter
1 year working grant from the Swedish Authors’ Fund
1 year working grant from the Swedish Arts Grants Committeé
Best Swedish Photography Publication Award, for the catalogue Chords No. 1- 17
Rubin, Birgitta, “Sakralt”, Dagens Nyheter, August 8
Söderholm, Carolina, ”Fantomsmärtor och naturkrafter”, Ystads Allehanda, August 1
Millroth, Thomas, “Anders Krisárs skulpturer strävar mot sorgens kärna”, Sydsvenskan, July 29
Jessica Kempe, ”I ett böljande hav av bilder”, Dagens Nyheter, April 28
Maika Pollack, ”Anders Krisár”, Interview Magazine, April issue
Kevin Greenberg ”Anders Krisár”, The Last Magazine, Fall issue
Johanna, Pressman ”Ogästvänliga landskap träffar hjärtpunkten”, Svenska Dagbladet, May 31
Ingela Lind ”Utsatt nervig konst kräver vårt försvar”, Dagens Nyheter, May 27
Stefan Nilson, ”Tre uttryck – tre strategier”, NA, May
Millroth, Thomas “Växelspel som drabbar”, Sydsvenskan, July 2
Paul B. Franklin “Anders Krisár”, Art in America, December
Bo Madestrand “Hudnära scener från privata rum”, Dagens Nyheter, September 19
Hägg, Martin, “Bilder av människan”, Helsingborgs Dagblad, August 14
Poddar Sandhini, Kitamura Katie, Gerspacher Arnaud, Anders Krisár, Monograph, Orosdi-Back
Doppelganger, Images of the Human Body, Gestalten Verlag
Poddar, Sandhini, Best of 2010, Art Forum, December
Gartenfeld, Alex and Carrier, David and Ozerkov, Dmitri, Exhibition catalogue Misericordia
Allgårdh, Sofie, Helgvalet, Svenska Dagbladet, November 5
Millroth, Thomas “Människan som roll”, Sydsvenskan, September 23
Thompson, Cynthia, Exhibition catalogue Anguish
Kitamura, Katie “Heart of the Matter”, The Last Magazine, September
Söderholm, Carolina “Händer som präglar”, Sydsvenskan, Augusti 14
Fagerström, Linda “Trio med styrka”, Helsingborgs Dagblad, August 12
Kitamura, Katie, Contemporary Magazine, 2008 Annual
Ullberg, Sara “Konst som psykologisk obduktion”, Uppsala Nya Tidning, August 4, p. 1, 4
Nilsson, Håkan “Vaghet som styrka”, Dagens Nyheter, March 15
Fanlström, Jennie “Anders Krisár”, www.konsten.net, February 27
Brodow, Anna “Kroppar och anleten speglar ett naket inre”, Svenska Dagbladet, February 23
Nunez-Fernandez, Lupe “Anders Krisár at Union”, www.saatchi-gallery.co.uk, November 29
Jones, Alice “First Sight: Zoo Art Fair”, The Independent, October 12
Karlstam, Cristina “Visuellt rekviem”, Uppsala Nya Tidning, March 17
Garwood, Deborah “Scenes From the Boulevard”, The New York Sun, January 11
Che, Kyongfa “Noise Within, Through and Beyond”, Exhibition catalogue Janus
Fredriksson, Ida “Utlämnande bilder”, Norrländska Socialdemokraten, May 13
Orrghen, Anna, Veckans val, Svenska Dagbladet, March 24
Ekholm, Rikard “Insyn I det privata väcker nyfikenhet”, Svenska Dagbladet, February 25
Lind, Ingela “Genkonst som provocerar”, Dagens Nyheter, February 23, p. 1, 6-7
Pollinger, Clemens, Veckans val, Svenska Dagbladet, February 17
Wallgren, Måns “Löshudad”, DN På Stan, February 10, p. 1, 22-23
Schibli, Martin “I fablernas värld”, Helsingborgs Dagblad, July 23
Söderholm, Carolina “Guldkorn lyfter stabil samling”, Sydsvenskan, November 26
Orrghen, Anna “Foton som döljer och belyser”, Svenska Dagbladet, April 10
Lind, Ingela “Mot strömmen”, DN På Stan, April 8
Lind, Ingela “Utflykt från konstens samtidstyranni”, Dagens Nyheter, April 3
Nilsson, Håkan “Förvridna foton”, DN På Stan, April 2
Glueck, Grace “Anders Krisár”, The New York Times, Art in Review, January 16
Family Matter, Catalogue, Stockholm
Kreuger, Anders and Muller-Westermann, Iris, Exhibition catalogue Close, please
Rydell, Malena “Anders Krisár”, Recention av årets fotoböcker, p. 31, 34-35
Almlöf, Jan “Anders Krisár”, FOTO, April, p. 6-17
Dandanelle, Eva “Chords No. 1-17″, Konstperspektiv, February
Lind, Ingela “Precist”, DN På Stan, January 31
Orrghen, Anna “Frysta ögonblick visar mer än vi ser”, Svenska Dagbladet, January 25
Olofsson, Anders “Anders Krisár”, www.konsten.net
Alton, Peder “Förödande vackert”, Dagens Nyheter, January 3
Chords No. 1- 17, Catalogue, Journal, Stockholm
The Progressive Collection, Cleveland, Ohio, US
Speed Art Museum, Louisville, Kentucky, US
Johnson Museum of Art, Ithaca, New York, US
21C Museum, Louisville, Kentucky, US
Fotografiska Museet, Stockholm, Sweden
Faulconer Gallery, Grinnell, Iowa, US
The National Public Art Council, Sweden
Stockholms Konstråd, Stockholm, Sweden
Lundin Collection, Stockholm, Sweden
Bonnier Collection, Stockholm, Sweden
Uppsala Konstmuseum, Uppsala
Västerås Konstmuseum, Västerås, Sweden
Hasselblad Center, Göteborg, Sweden
Carnegie Collection, Stockholm, Sweden
Stiftelsen Fokus, Borås, Sweden
Private collections worldwide